Upscaler Studio puts three upscalers behind one set of tabs: an image upscaler for stills, a video upscaler for compressed footage, and a Pro video tier for masters. Upload a file, paste a link or reuse something you made earlier, and the credit estimate refreshes before you spend anything.
The Image Upscaler tab runs Crystal Clear on JPG, PNG, WebP, HEIC and HEIF files up to 40 MB. You pick a 2x or 4x scale factor, and the price is estimated from the output megapixels, falling back to scale-based pricing when the image dimensions cannot be read first. The result is previewed against the original and downloads as a PNG.
Both video tabs share one input stage: an MP4, MOV, WebM, OGG or MKV file up to 1 GB through the upload proxy, or an HTTPS link. Choose 720p, 1080p, 2K or 4K as the target, and leave Copy original audio switched on if the mix matters. The standard and Pro variants expose the same controls; Pro is the tier for graded masters and commercial delivery, and it charges more per run than the standard tier.
Keeping all three on one page is the practical part. Signed in, My Creations lists recent images and videos, so a file you generated an hour ago can go straight into the upscaler without a download and re-upload round trip. Only the original URLs are reused, and credits are billed when the new run starts. The type query parameter opens the page on a specific tab, image, video or video-pro, which makes a direct link to the right tool simple.
The three tabs ask for different kinds of answers, which changes how a job is planned. The image tab takes a multiplier, 2x or 4x, while both video tabs take an absolute height from 720p to 4K. Video work therefore starts by reading the source: a clip already at 1080p gains little from a 2K target, and a 720p source pushed to 4K mostly gains file size. The 1 GB upload cap shapes the plan too, because a long master may need trimming or a lighter export before it will pass through the upload proxy at all.
Audio is the setting people tend to forget until the file comes back. Leave Copy original audio on when the upscaled clip will be handed over as a finished file, because the track travels with the video and the recipient does not have to relink anything. Switch it off when the clip is going back into an edit that already holds the mix, so you are not carrying a duplicate track that will be muted anyway. The source, the scale and the target behave the same in both video tabs, which is why the file being delivered decides the tab.
Pick the tab that matches the file
Image for stills, Video for footage that needs 1080p or 4K, Pro for graded masters and commercial delivery. A link can open the page on the right tab with the type parameter.
Add the source
Upload from disk, paste an HTTPS link, or open My Creations and choose a recent file. Stills can come straight from an iPhone as HEIC; videos are capped at 1 GB.
Set the target and run
2x or 4x for a still, 720p to 4K for a video, with audio copy on by default. The credit estimate sits next to the run button and updates as you move the setting.
Restoring old stills
Phone photos and scans that were saved small come back as a 2x or 4x file you can work with again, with the 40 MB input limit covering most originals.
Social clips to delivery
Footage exported for a feed can be lifted to 1080p or 2K for a client who needs a clean file rather than a phone-sized one.
Master delivery
The Pro tab targets 4K from graded material, with the source audio carried over so the file can go into an edit without relinking.
Reusing what you already made
Images and videos generated on the site are listed in My Creations, so a recent render can be upscaled in a few clicks instead of being downloaded first.
Escala masters cinematográficos a 4K con el pipeline insignia orientado a publicidad, series y largometrajes.
Admite MP4, MOV, WebM, OGG o MKV de hasta 1 GB mediante un proxy seguro.
Revisa texturas y movimiento antes de descargar el archivo final.
Recomendación: divide proyectos mayores a 10 minutos en segmentos y vuelve a ensamblarlos en tu editor.